

Despite having seen the band on around half a dozen previous
occasions, none had exceeded the usual forty five minute allocation of a
festival or support slot. However the extended set brought the best out of the
band with song after excellent song growing in stature as Robin continually flitted
between Rickenbacker and twelve string guitar, while Joe upped the twang input
when venturing onto Lap Steel. A pair of
ace mid-set tracks illuminated the show with a finely judged slow tempo pace. ‘We Used to Have Parties’ and ‘Easy Rider’ are two stellar songs from
the new album. The latter presenting the evening’s golden moment when Joe
switches instruments for the track’s exhilarating finale.
Perhaps on second thoughts, this golden moment should be
shared with the entire airing of ‘Dusty in
Memphis’. This song has been unashamedly over played and over promoted in
these quarters all year with the killer line ‘there’s no easy way down’ being a
suitable moniker for this singalong epic. As earlier indicated, the band is in
a supreme state of soulful intoxication and they presented the only new track
on the evening as one they recently recorded in an acclaimed Memphis studio.
Look out for ‘Harbeton Mead’ on an
exciting new release.
Great songs from the new album flowed continuously all show
including the title track, ‘Searching for
the Supertruth’, ‘All Kinds of People’
as seen on national TV, and the emotive main set closer in all its seven minute
glory ‘So Pretty’. For a band heavily
basing its sound on so many magnanimous classics, they keep the covers to an
absolute minimum, with a little bit of Springsteen indulgence frequenting the
encore in the form of ‘Atlantic City’ before the
medley finale. While on the track re-collection, there was just one other song
not lifted from the new album: ‘House on
Elsinore’.
A Dreaming Spires review should not be just a mere factual
account, but more a liberal sprinkling of superlatives admiring the noticeable development
of the band as a live outfit. The soulful piano added an extra dimension and
seemed to extract a deeper sense of soul from Robin’s vocals. The musical chemistry
is intuitive and the guitar tempo synchs with the gig’s ever changing moods. This
was a first class show and perhaps for a few fleeting moments in a hall in
Bewdley, the search for the supertruth was temporarily halted.
www.thedreamingspires.co.uk
www.thedreamingspires.co.uk