Three Chords and the Truth UK

  Sophie Moore’s music illuminates a space, maximising the pieces at its disposal, while delicately creating a piece of tranquility. TROUBLE IN MIND sees this Sussex-based artist return to the recording fold after a lengthy hiatus. Moore was active in the 1980s with London indie band Foggy City and continued to have minor involvement in music after life pulled her in other directions. However a burning desire always remained and connections with American artist Jeb Loy Nicholls and esteemed producer Mark Nevers, famed for his work with Lambchop, laid the foundation for a return inspired by putting a homegrown slant on time honoured country soul. A recording process split between Sussex and South Carolina did the heavy lifting and the result is a prized piece of work. Late night night vibes are evoked alongside a restful composure where primed musicianship and sultry vocals nestle among an array of original compositions blending softly spun tunes and lyrics painting an elegant pictu...

  Through eleven carefully curated songs, Lance Cowan continues to emerge from the shadows as a songwriter of substance. THE AIR THAT YOU BREATHE is a gifted collection threaded by a desire to make sense of some of life’s basics. Creating a reassured and relatable aura is the basis for these songs to transcend a writer’s mind into the wandering instincts of an active listener. A time honoured tradition shaped by Prine, Van Zandt, Clarke et al is polished by the pen of Cowan and transmitted via an affable tone and a band pumping oxygen into the finished producr. This record ascends over time rewarding those with the urge to acutely engage.   This is the third Cowan album since 2024 and one destined to find fresh ears. It is also the third professional writing guise following a lengthy career seeking the truth as a journalist, spinning the truth as a publicist and now purveying the truth as a creative tour de force. Paradoxically or consequentially, the path has entered a lush m...

  On their new album A NEW ALCHEMY, the chemistry of East Nashville-based duo Brand New Heartache shines through. The husband and wife team of Eleese and Matthew Meschery guide the listener through a relationship timeline never veering away from al facets of a shared journey. A dozen tracks blend infectious pop with the folky charm of collaborative country shaping Americana through the lens of the classic duet. A vocal spread of lead off interchange, contrasting tones and harnessed harmonies flavour a pot underpinned by love and an charged intent to weave emotion into a alluring soundscape.   If a strong opening gambit is a must to seize the initiative, the buoyant beat of ‘ New Alchemy ’ delivers as a bout of intelligent pop laced with lavish hooks and connective melodies. A surefire playlist candidate. Not to settle on their laurels, the Meschery’s cast a vocal spell with follow-on track ‘ Montreal’ , packed with a yearning appeal aligning nostalgia with a folk leaning. A co...

  Danni Nicholls ascends onto a new plateau reflecting movement in many forms. A key constant to capture the moment is still intact after many years seeking the sweet spot where artist curation and audience reception meet. MAKING MOVES represents change where polished building blocks raise the stature without removing the trusty foundation formed over time. The wait between defining studio releases evaporates in an instant when the luscious tone of the new album sweeps you away. A renewed spark ignites a soundscape where a combination of influences and inputters carve a record packed with resonating, relatable poignancy.   The strength of Danni Nicholls’ writing is to crack the mirror and piece together the order of existence into meaningful assertions. Some writers thrive on character, others on place, here we have one immersed in experience and expressing the utterly personal. The eleven songs forming this exceptional body of work drool with esteemed class. They represent a ...

  Friday Maverick fizzed into life on the stroke of five o'clock. A brace of options lay in front of early Easton Farm Park arrivals, both resident festival favourites. Violin-playing Chris Murphy got the nod over hard rocking Jon Langford on the basis of a couple of interesting releases this year. Murphy was once again appointed Artist-at-Large, meaning he could literally pop up playing on anyone’s set, and his own ignited an evening of fine music on The Peacock Stage with an improvised solo performance. Loops, vocals, audience ventures and virtuoso violin playing gave substance to this LA-based musician’s set. From a fresh off the press record produced by fellow fiddle player Seth Lakeman, an engaged crowd enjoyed ‘ Clean Break ’ and heartily joined in on ‘ Never Learned to Drive ’ dedicated to that marginalised LA community- non drivers. A great start to the weekend. The Peacock Stage, with its barn location and iconic backdrop, proved the major chosen space for the evening w...