Where literature and music collide is a perfect wrap for
this latest project by top selling crime fiction writer Mark Billingham and the
UK’s premier act for keeping the flame of classic country alive My Darling
Clementine. For one night only, the studio venue at Birmingham’s Repertory
Theatre was taken to downtown Memphis and awash with a sound spanning the
length of Tennessee’s Music Highway. Being a massive country music fan himself,
I’m sure Mark Billingham was happy to let the evening evolve into a dynamic
display of duet indulgence as his own reading of The Other Half was
periodically splintered by the musical interjection of Michael Weston King and
Lou Dalgleish.
With the songs of My Darling Clementine ripe for some form
of literary collaboration, there was an inbuilt synergy with an author whose
chief character D.I. Tom Thorne is an avid follower of western leaning music
full of vivid stories and twang. Taking the location of his story from the song
‘Going Back to Memphis’, Mark tells a
simple on the surface tale of three couples frequenting a rundown bar. With the
exemplary oratory skills of the author, the story unfolds in the first hour of
this double billed show as Michael and Lou choreograph their presentation of
subtly inserted songs in sync with the ebb and flow of the tale.
You have to adjust your listening skills between the
intensity of the reading and the more relaxing state of savouring the songs of
My Darling Clementine. However the merging of the two art forms was pulled off
with professional ease. The subjective nature of art saw an individual adaptation
by Mark with the songs merely providing a backdrop rather than the narrative.
While expecting a more significant music segment after the break, the number of
songs interspersing the reading approached near double figures. Unsurprisingly ‘By a Thread’ opened the evening and
other songs such as ‘No Heart in this
Heartache’ and ‘No Matter Tammy Said’
were skilfully weaved into the first half as Michael and Lou appropriately
marginalised their onstage chemistry.
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| Lou and Michael at Cambridge Folk Festival in August |
After the break we were duly entertained with a full hour of
My Darling Clementine as normal service was resumed with their cutting satire,
dry humour and full blown song presentation. An excellent sound system bestowed
a venue not the usual domain of consistent live music and, though there will
always be a difference with the full band, the acoustic flow from stage to
audience was impeccable and impressive upon reception. Both My Darling Clementine
albums were heartily raided with ‘King of
the Carnival’ and ‘Departure Lounge’
being particularly enjoyed on a personal basis.
Either side of a two pronged cover song presentation, were
perhaps the two outstanding moments of Michael and Lou’s performance. Just
prior to paying respects to George Jones with ‘She Thinks I Still Care’ and inviting Mark back to the stage to
sing the timeless classic ‘Heartaches by
the Number’, we were moved by an extra emotional version of ‘Ashes, Flowers and Dust’. Another
heartstring pulling number sent the audience home content as the duo shared a
personal tale of their own in the song ‘Miracle
Mabel’.
This may have been a left field collaboration but as a project
it worked extremely well and its short run as a live production deserves to be
well supported. It would be a pity if no recorded format was made available to capture
the evocative mood of the first half and such a product would perhaps help bridge
the gap between the present and where My Darling Clementine go next with their
music.
