Album Review: Michael McDermott - Flowers from the Graveyard

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Michael McDermott has never sounded more determined to leave a literary imprint on the frenzied world of rock and roll. Through ire, empathy and forensic storytelling, he shines a light on dark corners and packs a powerful punch where it needs to be landed. Words scatter across the page machine gun style then beautifully reassemble into sincere lyrical poetic prose. Characters emerge, are dissected, championed, sometimes brutally exposed, but rarely left with no purpose. He writes lyrics that transcend the vehicle of the song. They stand alone, as alluring for the eye as the ear. 


Within the framework of eleven combustable tracks, a vignette of B movies simmer and explode. Life through the lens of Michael McDermott radiates the minutia and sparks the most basic human existences into roaring arches of flammable fiction. Juxtaposing the stark shaping of reality is the ear for a sweet melody and a popular coating depicting what courted widespread appeal in the past. 


FLOWERS FROM THE GRAVEYARD blends misery with optimism, realism with the pit of the imagination. It is an album of depth and a gift from a prime talent, built to empower, move and ultimately align with the positive virtues of art and life. Michael McDermott hits the optimum tone and brings every facet of his songs to life. The pot of gold at the end of a creative’s rainbow nestles neatly against a copy of this immersive piece of perceptual songwriting capturing music in its rawest connective form. 


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