On one hand, similarities with a string of US artists run deep, and Americana with all its ambiguous nuances feels a fit. Alternatively, there are so many influential strands tossed into the pot that trying to pin down a music identity is a tough task. Narrowing things a little from the floor of Thimblemill Library, vibes flowing from the stage were etched in folk and blues. With this in mind, the latest album has two versions floating around - one stripped back ala tonight and the other draped in every big sound you can imagine. The latter live is a fascinating prospect, but let's not get too far ahead.
There was a decent turnout at the library this evening. I'm even going to surmise it exceeded last year's show. Good news is popping up all the time for this vibrant cultural hub as its arts programme continues to widen aided by newly acquired funding. Live music retains an important part of the offering, whether promoting local talent or being a receptive haven for touring artists. This evening's support came from neighbouring Birmingham, and it was good to see Amit Dattani back playing live. His deftly touched country blues is fighting back against numerous pitfalls and afflictions.
There were many facets to the live persona of Nigel Wearne. The vocal style is not as deep and profound to what you instantly expect, but it strongly conveys the meaning of the songs. Top notch string picking brings life to an acoustic guitar and banjo. Maybe more from the latter would have enhanced things during the show especially as a track towards the end was dynamic. He is not afraid of playing an intrinsic instrumental and feels comfortable to test a few developing pieces on willing audiences. We're a kind lot in Thimblemill Library.
The banter was a neat blend of appreciation, essential storytelling and marked observation. If Lucinda Williams is going to champion you, shout it loud and clear. Social and political justice is at the heart of his music and wider beliefs. He will find many likeminded Brits on the path being navigated. It was interesting referring to his country's national day as Invasion Day- coincidentally January 26th. From afar we get it and fully understand the global nature of cultural divisions. It is always good to garner an insight to historical events of simmering relevance from different parts of the world and this evening we learned of the Eureka Uprising in 1850s Ballarat.
The perception of Nigel Wearne evolves as an astute touring artist. Mindful of his surroundings, associates and forging relationships to ease the journey. It enormously helps possessing an impressive music package and having a key knack of a memorable delivery approach.
The return to Thimblemill Library followed appearances at a couple of industry showcase gatherings. Those things can serve a purpose, but there is nothing like getting out there with the people especially causal onlookers seeking a music liaison rather than a posse of dedicated observers.
The road from the English industrial Midlands is packed with connective opportunities over the next couple of weeks before Nigel Wearne returns Down Under. There is an optimistic outlook of things panning out quite well. Whatever the desired outcome from this second trip to the UK, increased interest, respect and admiration is forthcoming from audiences both finding and returning to his music.
