Music Reviews - starting with the cliche before branching out to where the music matters. Live and Recorded with an emphasis on country, folk, Americana, singer-songwriter and roots for starters. EST. 2012
Jenn Bostic, Kyshona Armstrong and Sarah Darling - Kitchen Garden Cafe, Kings Heath, Birmingham. Monday 12th September 2016
Get link
Facebook
X
Pinterest
Email
Other Apps
-
Three artists bound by their Nashville calling. Three
artists intrinsically linked by the concept of dreams. Three artists
emotionally drawn to sharing their deepest personal songs. Sarah Darling – a stylish
measured dreamer, Jenn Bostic – a therapeutic dreamer, Kyshona Armstrong – a spiritual
dreamer, three independent artists making meaningful music and now performing
collaborators in their deeply connective ‘in the round’ show.
Maybe more rotating songs than literally in the round, this
trio have hit the sweet spot on a short English tour taking in several keynote
venues where serious content supersedes superficial surroundings. If you’re
seeking that heady moment of pure telepathic interaction, a sold out Kitchen
Garden Café absorbing the songs of this trio was the place to be. Bands were
left at home, exposing the naked reality of sincere songs delivered in a range
of styles from cultured pristineness to earthy soul. This music was far from
free of ambition, yet retained a mark of control.
All three artists reside at different levels of UK exposure,
although for two hours at each show on this tour the equilibrium is stark. The
pursuit and success of Jenn Bostic’s Radio 2 foray has been the result of
several visits. She mentioned playing a fundraising show in Birmingham
recently, but you can go back a little further to February 2013 when the Bull’s
Head in Moseley hosted her. That night the door was opened for many to hear her
emotive signature song live for the first time and three and a half years on, ‘Jealous of the Angels’ possesses the
same personal therapy to move both artist and audience alike. This was the
climax of Jenn’s five songs which were mainly presented from behind the
keyboard and wrapped in sentimental vocal prowess. Pride oozed from the introduction
when the current Radio 2 play listed ‘What
Love Feels Like’ appeared. One of her older songs, ‘Not Yet’ demonstrated the range of her vocals and ‘Hollywood’ surfaced as one of the many
moments on the evening invoking audience participation. Kyshona gave a little
insight into the world of Jenn when referring to her planning tendencies and this
rolls out in her structured approach to making music.
While Sarah Darling has been active in the Nashville music
scene for quite a while, her overseas aspirations appear to be a relatively new
addition. A ready-made growing audience is one attraction but also one prepared
to show extraordinary listening potential. This appealing market quality is
heaven sent for a performer staking so much on their song writing calibre.
Whether or not, the mainstream industry comes calling, Sarah presses on with
her independent project and this current tour acts as a showcase teaser for a
new crowd funded album under the apt title of DREAM COUNTRY. Across the five
songs she shared this evening, the first and last probably had the most appeal.
‘You Take Me All The Way’ opened the
trio’s first set and confirmed its wise choice as an upcoming single with a
sensual subtlety. ‘Stargazer’ was
Sarah’s final offering and an attention grabbing delight.
This tour has been the UK’s introduction to Kyshona
Armstrong and few exposed to her soulful spiritual depth will fail to be moved.
It may sound contradictory but fragility came across as Kyshona’s strength,
seeking solace in an innate capability to fire up the wounded soul. This is a
performer who shared so many trepidations about moving to Nashville a couple of
years ago from her ‘Deeper’ South roots. But Nashville’s Music City status is
so much more than the perceived cliché and a fulfilling residency is locked in
on tonight's evidence. Without hesitation, Kyshona’s sideways shuffle to belt
out ‘Lonely’ from behind Jenn’s
keyboards was the show’s golden highlight, closely followed by a calming
segmented version of ‘Amazing Grace’ in
one of Jenn’s songs. In contrast to Sarah’s upcoming album and Jenn’s latest
from 2015, Kyshona’s THE RIDE is literally a month hot off the press and this
evening she shared the title track, ‘Do
Nothin’’ and ‘The Best of You’
from it, along with the aforementioned stand out performance in her quintet of songs.
With this tour being put together and managed by the
Stafford based multi-music operation Fish Records, it was no surprise see one
of the UK artists that they are associated with in Robert Lane being selected to
open each show. Hailing from Birmingham and no stranger to the Kitchen Garden Café
(he supported Caddy Cooper last November), Robert wasted little time in rising
to the challenge of playing the archetypal opener. His confidence, wit and persona
reflect a performer born for the stage. Intriguing short stories, Elvis
singalongs, fine songs and a folk murder ballad, it was job done for Robert and
he is surely set to thrive in the future on both the local and wider
singer-songwriter circuit. In addition to Robert’s rousing version of ‘Suspicious Minds’, the other
significant cover song on the evening was reserved for the encore with ‘Fields of Gold’ given an elegant coating
of three beautiful voices.
So ‘A Night in Nashville’ became 'A Night in Kings Heath for
one evening only with the quality of artists on show leading to the event being
a resounding success. This was music in its purest form, reaching out in a
format that engages an audience matching an assured level of performance with
the ideals of what song writing can achieve. The Kitchen Garden Café proved to
be the optimum venue for the intimate exposure of three artists, comfortable in
their own words and so appreciative of each other's work. Where the future paths of
Sarah Darling, Jenn Bostic and Kyshona Armstrong lead who knows, but for a
solitary night, converging on York Road, Kings Heath proved a winner.
www.sorrelnationmusic.com Sometimes cracking the gig code can be a straightforward process. Bring your 'A' game, cover the basics and connect with the audience. Mutual respect can go a long way to firming up a base at the grassroots. Sorrel Nation starts from the high water mark of a sublime voice, expressive songwriter and smart band arranger, yet so many other aspects of her approach are key to a growing presence on multiple UK music scenes. Whether based in her native home county of Kent or living a rambling life on the road, an aura of experience coats a stage craft piercing new areas with each tour. Spring 2025 evolves around the launch of the vinyl format of the debut album LOST EN ROUTE and an inaugural show in the West Midlands yielded more converts to a growing band. Making inroads in a crowded independent pool of folk-infused contemporary acts can be demanding and littered with obstacles. Promising signs of Sorrel Nation establishing a foothold were laid bare in Thi...
www.jasonringenberg.com You can't keep a good man down and Jason Ringenberg is one of the best of them. Boosted by the reception and satisfaction of his 2018 album STAND TALL, everybody's favourite cowpunk, witty, incisive, intelligent lyricist is back with another record as deep and broad as its predecessor. RHINESTONED is a passionate release depicting every inch the portrayal of Jason Ringenberg, namely historical curator, proud custodian of a style and blessed with a cavernous conscious. The starting point of this album may have been some of the leftovers of the previous record, but it has soon developed its own entity and matches up well with what Ringenberg has produced in a long career whether heading the Scorchers, playing up to the Farmer Jason moniker or just the plain solo act with something to offer. This album has all the distinctive hallmarks of a Jason Ringenberg record from a vocal perspective as well as the routes chosen for the material. Of the four tracks...
www.anniecapps.com If you enjoy diving into a deep lyrical pool, then the latest album from Annie Capps is a smart listener's delight. Taking a detour from her work with partner Rod, she plunges headlong into this stark and thoughtful solo project to deliver a dozen-strong collection. This presents HOW CAN I SAY THIS? as a body of personally driven songwriting of the highest calibre. The notes inform a 40-strong cast of all women collaborators have assisted on this project, but you feel forever secure in the solo arms of a songwriter exploring life and nostalgia from numerous angles and experiences. The album plays out on a level plane with minimal highs and lows. A few more notable peaks may have boosted the impact for casual listeners, but sufficient elegance and guile puts the album firmly on the road to laudable acceptance. Truth or fiction are a creative writer's prerogative. We can only surmise the directions Capps takes throughout the songs here. She relies heavily o...
Comments
Post a Comment