Patrick Crowson certainly doesn’t do things in small
measures and shows no fear in going intensely down his chosen route. The eleven
tracks on his latest album release A MILE PAST THE DEADEND take around an
energy sapping 70 minutes to evolve and while there are glimpses of merit in
the soft dry melancholic sound from his guitar, you are left waiting for that
stand out track to make true connection. There are elements of the album where
you get mesmerised by the hook of the relaxing soothing sound but the intensity
turns the listen into a demanding experience. A large dose of patience, stamina
and a desire to uncover the next Dylan may be required to fully grasp the
concept of this record.
On a positive note, you can envisage the live presence of
Crowson, with his stripped down acoustic sound in an intimate setting, being an
altogether different experience where you can get to know the artist and
further grasp the intricacies of his passionate desire to interpret
roots-influenced acoustic music. Also on track nine on the album, ‘Mark the Drifter’, there are significant gear changes in his
vocal delivery that do give some welcome relief and a glimpse to what else he
may have to offer.
So while it is difficult to recommend this record on the
basis of a couple of lengthy listens, you just never know that maybe one day we
are returning to this body of work to uncover the roots of a genius, Just like
we do with Townes Van Zandt and Mickey Newbury.