Follow the linear trail back of the sound of Girls Guns and
Glory’s fifth album GOOD LUCK and your path will wind from modern day American
roots rock, through post punk new wave, call at an outlaw honky tonk and end up
at its straight down the middle-rock n’ roll source. Throughout its entirety,
the album never loses sight of that long lasting country trait of mixing storytelling
lyrics with a deep rooted melodic sound. This four piece combo from Boston,
Massachusetts can be mightily proud of a record that sparkles with clarity and
maximises frenetic guitar with clever melodies.
Led by vocalist, guitarist and prime songwriter Ward Hayden,
Girls Guns and Glory pay their guitar dues on a record democratic in its name
origin and just as eclectic in the moods it succeeds in conveying. Awash with
potential stand out numbers, the song with the most profound poignancy is the
spine tingling ‘Centralia PA’, a
reflection on a town bled to death by the detrimental side of coal mining. The
superb verse construction of this song helps preserve the memory of the place
even in its inhabitable state. Like many of the songs on GOOD LUCK, Hayden has
had a hand in its writing. In fact the only band non-original is ‘Rockin’ Chair Money’, a song recorded by
Hank Williams which the guys take up the guitar scale leading the tune almost
into crashing territory. Perhaps the band wishes their funding followed the same path as that of the song.
Lead off track ‘All the
Way to Heaven’ is the perfect album opener and while it would be a pity if
this was your only stop, it is a great feel good tune to promote the wares of
Girls Guns and Glory. The tune most akin to the rock n’ roll source of the band’s
sound is the nostalgic feeling ‘Shake
Like Jello’, complete with your usual riffs, backing harmonies and altogether
a neat little fiery number. If you like a serving of post punk new wave mash on
your menu then ‘Be Your Man’ is your
song and a number full of the ingredients which flavoured Jason and the
Scorchers cowpunk movement. For a little more left field indie sound, then
discovering ‘C’mon Honey’ will reveal
the more alternative side of Girls Guns and Glory, while in contrast the
following track ‘Built for Speed’ is
a more conventional soulful blues stomper, however both tracks are held
together by a heavy and prominent beat.
‘One of These Days’
and album closer ‘It’s Your Choice’
are both representative of the record’s less intense moments and blend quite
comfortably with the faster paced songs. As with most of the album, the guitar
work shines brightly amongst the lyrical content and you feel that the band are
in complete control of what they want to achieve. The unusually titled’ UUU’ completes this ten song collection
and is another slightly off centre track with vibes lifted straight from the
late 70s/early 80s new wave movement.
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