It started with the cliche before branching out where the music matters. A personal vanity project sharing a passion for country, folk and Americana through live and recorded music since 2012. Give or take the odd hiatus or barren period.
There is certainly a slight irony in the naming of this
album, as this is the first full length release for Swedish band Crossing Keys,
despite performing together for around eighteen years. So it really was about
time that they put together a collection of songs to reward the fans who have
supported this band over the years. After several listens, mainly on commuting
journeys, this probably sums up the positioning of this album as it’s unlikely
to create much of an interest outside the inner circles of the band’s sphere of
influence.
This doesn’t indicate that the record is not a well-produced
collection of country-tinged pop rock and the songs wouldn’t be out of place on
the live European music circuit, but there is a shallowness that is exposed when
up against many of the finer exponents of this type of music. The band's vocal
performance is fine, but the electric guitar oriented tunes have a soft-rock
throwaway feel about them that, while a pleasant listen, doesn't create a lasting
impression.
The ten track production includes an instrumental to close
the album with the opening number ‘Whatever
Comes First’ probably the stand-out song. One of the more memorable tunes
is ‘Sweet Carrie Anne’, partly
because its glam rock feel conjures up images of one of Sweden’s more
profitable exports of the 70’s.
Good luck to the band, and the album will be a useful side
supplement to their live shows, but there has to be a reservation to it
broadening their appeal and expanding into the English speaking music listening
markets.