Across a brace of sets in the homely settings of a hired social club, Jon in particular continually fought the fluctuating temperature settings that played havoc with the strings, including the bouzouki and ukulele. The harmonium (or more descriptively referred as the chord organ) proved less temperamental and was primarily the domain of Jay, although a priceless moment just before the interval saw both musicians attempt, and pull off, a duet, on one.
Where the duet tendencies did regularly
flourish was in the song department. The harmonies were bright, vivacious and evocative.
Showing a vocal prowess seized upon and acting as the perfect vessel to portray
the magnitude of the song. The latter probably defines Ninebarrow as they set
out using every depth of their literate craft to polish the art of introducing
and executing the intrinsic song.
Apart from a couple of folk club
standards, the prime focus of the performance was the material that has formed
the recently released album THE WATERS AND THE WILD. This record primarily
packs with original content, seasoned with a couple of interpretative efforts. ‘Prickle-Eye Bush’. ‘Gather It In’ and ‘Overthrown’ were among the picks from
the new record. This album will gather momentum in the folk world over time. It
is not really a recording designed for immediate grasping and it will be
markedly helped by Jon and Jay’s extensive touring to strip it down up close
and personal before re-building the worthy content.
Two of the evening’s outstanding moments were songs from a
previous album, WHEN THE BLACKTHORN BURNS. ‘Siege’ was a heroic tale of English Civil War resistance, while ‘Weeds’ launched into a maybe mythical, or not, future where the
land submerges human existence. Other subjects dealt with in the songs ranged
from the Jurassic archaeological landscape of Dorset and the county’s nautical
heritage to acknowledging the importance of seasonal events and mythical
hierarchies in the natural world. Of course, it would not be a folk gig without
the obligatory death, gore and murder. Song #4 seemed a long wait but the pair
more than made up for it by the end.
Although by folk standards Ninebarrow are in their formative
years, they appear to have perfected the ageless streak needed to survive and
flourish on an informed scene. This youthful zest acts as a conduit that
re-invigorates a traditional stance. Almost theatrical in motion, Jon and Jay
are easing into generational standard bearing mode and look every inch the accomplished
performers in this responsible guise.