Dolly Parton, Emmylou Harris and Linda Ronstadt may have
sold more records when they got together for their TRIO project and The
Highwaymen were certainly more advanced with their careers, but surely there
cannot have been a purer collaboration of three independent artists than the
one witnessed this evening at Biddulph Town Hall. Born from an impromptu performance at Telluride Bluegrass Festival last year, the combination of Aoife
O’Donovan, Sarah Jarosz and Sara Watkins represents the cream of 2015 traditional
revivalists, easily finding common ground to share their natural ability to
sing, play and make beautiful music. Billed as the ‘I’m With Her Tour’, this
celestial choir showed a glimpse of roots heaven in a 90 minute sonic shower
free of any musical impurity.
In consecutive years all three have added an elegant sparkle
to the Transatlantic Sessions roadshow, an effect magnified to sublime
proportion when taking full possession of the centre stage. The slick manoeuvre
between solo, duo and trio was blessed with magical harmonies and an innate
knack of wonderfully blending the stunning vibes from fiddle, banjo, mandolin and
guitar. All three solo careers were celebrated alongside a preview of the
future and a respectful nod to the past.
This civic venue at the edge of the Staffordshire Moorlands
was nearly full to its seated capacity with folks willing to make lengthy journeys to
experience this precious gathering. It didn’t take long for the ladies to get
into their stride with a version of John Hyatt’s ‘Crossing Muddy Waters’ kicking off proceedings. The rotation of
songs took the standard format for these shows with alternating lead vocals
flowing into a solo segment and all being strategically bound with spellbinding
moments of delectable unison. This climaxed with all three stepping off mic for
a perfect closing version of the Emmylou Harris gospel number ‘Darkest Hour is Just Before Dawn’.
Sarah Jarosz is still riding the crest of a wave from her
recent Grammy nominated album which formed the basis of her hugely successful
UK tour last year. Her prodigious talent has produced many column inches buoyed
by the banjo and mandolin prowess flavouring a wealth of beauteous songs. ‘Build Me Up From Bones’, ‘Runaway’ and ‘Fuell the Fire’ were amongst her
offerings this evening, all served with classical undertones adding finesse to
popular tunes.
Aoife O’Donovan made massive strides as a solo artist with
the release of the 2013 album FOSSILS, having spent a number of years as an
integral member of Crooked Still. Guitar is her chosen piece of instrumental accompaniment
in true folk tradition, seamlessly adorning a glorious vocal style radiating
tones of aesthetic appeal. ‘Beekeeper’, ‘Red
& White & Blue & Gold’ and ‘Captain’s
Clock’ were the highlights of Aoife’s individual contribution, but the real
soul of the evening existed within the collaboration.
Sara Watkins nonchalantly overcame brief technical
difficulties to just unplug the fiddle and play it with a composed charm. Her
increasing reputation as a prime fiddle player, both in solo projects and as a
member of Nickel Creek, is well deserved and being positioned so close to such a
breath taking demonstration was a joy to behold. Songs primarily sourced from
Sara’s lead contribution included ‘You
and Me’, ‘Be There’ and ‘Long Hot Summer Days’, all leading the way in
popular attraction. Of course the essential instrumentals were filtered in periodically
and Sara delivered her tune ‘The Ward
Accord’ in fine style.
The chemistry and sheer enjoyment from the stage was evident
for all to see, making this one special concert to attend. A further development
from the evening was the revelation of an intention to record which is a
prospect to savour later in the year. A new song believed to be titled ‘Hornets’ was introduced by Aoife and
matched up favourably alongside a couple of exceptional covers unearthed by the
trio. These were ‘A Hundred Miles’ by
Gillian Welch and a Jim Croce song ‘Walking
Back to Georgia’.
Eventually Aoife O’Donovan, Sarah Jarosz and Sara Watkins
will resume their own burgeoning individual careers, but not without leaving a
major mark as one of the truly great American roots collaboration projects. The
promised recording will create a souvenir of the magic, but the ultimate pleasure
was being in the presence of three fabulous musicians sharing their treasures
in divine portions.